Distributors are the second area of the film business - 1. Production 2. Distribution 3. Exhibition
My definition for distribution itself is the process in which the film is made available for public watching after the production process. This consist of making the film available for an audience to view, in the form of either the cinema - the top stage of distribution as some distributors struggle to get a cinematic release. A DVD release - which can be a more realistic approach for a release for some distributors. And Through television.
There are four different kinds of releases: These fit into the forms above.
- Standard Release
- Simultaneous Release
- Internet Release
- Straight-to-video Release
Here are some useful links:
http://searchenterpriselinux.techtarget.com/definition/distribution
http://dictionary.reverso.net/english-definition/media%20distribution
http://en.wikipedia.org/wiki/International_Media_Distribution
http://en.wikipedia.org/wiki/Distribution_(business)
http://en.wikipedia.org/wiki/Film_distribution
http://searchenterpriselinux.techtarget.com/definition/distribution
http://dictionary.reverso.net/english-definition/media%20distribution
http://en.wikipedia.org/wiki/International_Media_Distribution
http://en.wikipedia.org/wiki/Distribution_(business)
http://en.wikipedia.org/wiki/Film_distribution
Tailor-made, audience-focused distribution is, and will remain, vital to the prospects of individual films, and to the industry as a whole,whatever the medium or format in question. Every element of the communications and entertainment industry has been – and is – undergoing rapid change.The advent of‘digital’ in the cinema sector has not merely resulted in a change of format,with d-cinema succeeding the long-standing 35mm presentation, but it has had a transformative impact.Digital has remodelled the ways in which films are released,promoted and consumed,and it is reshaping the kind of entertainment centre that a modern cinema can be.Source: http://www.launchingfilms.tv/pdf/fda_guide_2012.pdf
The genre for our film is Slasher, Title Name (Unknown). Our film is a very low budget indie film and there are no headline actors involved. However, the film does mirror some of the main slasher conventions which we have researched previously. To mention an example we plan to use a san seriff font for our title which is common in many slasher films such as Scream and Texas Chainsaw Massacre (1974). Our film will be similar to the film MadHouse.
Top Ten film distributors in the UK (2012)
1 | Skyfall | Sony | 101.0 |
2 | The Dark Knight Rises | Warner Bros | 56.3 |
3 | Marvel's Avengers Assemble | Walt Disney | 51.9 |
4 | The Hobbit: An Unexpected Journey | Warner Bros | 40.8 |
5 | The Twilight Saga: Breaking Dawn - Part 2 | EOne Films | 35.5 |
6 | Ted | Universal | 30.3 |
7 | Ice Age: Continental Drift | 20th Century Fox | 30.1 |
8 | The Amazing Spider-Man | Sony | 25.9 |
9 | Prometheus | 20th Century Fox | 24.7 |
10 | The Hunger Games | Lionsgate | 23.8 |
Source:http://www.cinemauk.org.uk/facts-and-figures/admissions/top-10-uk-films-2004-2012/
Skyfall Cover |
Budget - $200m
Gross (Worldwide) - $981m
Distributors
- Columbia Pictures (2012) (Philippines) (theatrical)
- Columbia Pictures (2012) (USA) (theatrical)
- Feelgood Entertainment (2012) (Greece) (theatrical)
- Forum Hungary (2012) (Hungary) (theatrical)
- Sony Pictures Entertainment (2012) (Japan) (theatrical)
- Sony Pictures Filmverleih (2012) (Austria) (theatrical)
- Sony Pictures International (2012) (UK) (theatrical)
- Sony Pictures Releasing Canada (2012) (Canada) (theatrical)
- Sony Pictures Releasing (2012) (France) (theatrical)
- Sony Pictures Releasing (2012) (Netherlands) (theatrical)
- Sony Pictures Releasing (2012) (Singapore) (theatrical)
- United International Pictures (UIP) (2012) (Argentina) (theatrical)
- Twentieth Century Fox Home Entertainment (2013) (USA) (all media)
- Zon Audiovisuais (2012) (Portugal) (all media)
The Dark Night Rises Cover |
Budget - $250m
Gross (Worldwide) - £1.1b
Distributors
- Columbia TriStar Warner Filmes de Portugal (2012) (Portugal) (theatrical)
- Roadshow Film Distributors (2012) (Australia) (theatrical)
- Village Films (2012) (Greece) (theatrical)
- Warner Bros. Entertainment (2012) (Canada) (theatrical)
- Warner Bros. Pictures (2012) (USA) (theatrical)
- Warner Bros. (2012) (Argentina) (theatrical)
- Warner Bros. (2012) (France) (theatrical)
- Warner Bros. (2012) (UK) (theatrical)
- Warner Bros. (2012) (Japan) (theatrical)
- Warner Bros. (2012) (Netherlands) (theatrical)
- Warner Bros. (2012) (Singapore) (theatrical)
- Argentina Video Home (2012) (Argentina) (DVD)
- Argentina Video Home (2012) (Argentina) (video) (Blu-ray)
- Warner Bros. (2012) (Germany) (all media)
The Avengers Cover |
Budget - $220m
Gross (Worldwide) - $1.5b
Distributors
- Walt Disney Studios Motion Pictures (2012) (worldwide) (theatrical)
- Feelgood Entertainment (2012) (Greece) (theatrical)
- Forum Cinemas (2012) (Lithuania) (theatrical)
- Forum Film Poland (2012) (Poland) (theatrical)
- Forum Hungary (2012) (Hungary) (theatrical)
- Walt Disney Studios Japan (2012) (Japan) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (Argentina) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (Belgium) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (Brazil) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (Canada) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (Germany) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (France) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (Netherlands) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (Singapore) (theatrical)
- Walt Disney Studios Motion Pictures (2012) (USA) (theatrical)
- Epix (I) (2013) (USA) (TV)
- FX Network (2014) (USA) (TV) (cable)
- Intercontinental Video (2012) (Hong Kong) (DVD)
- Intercontinental Video (2012) (Hong Kong) (DVD) (Blu-ray)
- Walt Disney Company (2012) (Argentina) (DVD)
- Walt Disney Studios Home Entertainment (2012) (Argentina) (DVD)
- Walt Disney Studios Home Entertainment (2012) (Argentina) (video) (Blu-ray)
- Walt Disney Studios Home Entertainment (2012) (Netherlands) (DVD)
- Walt Disney Studios Home Entertainment (2012) (Netherlands) (DVD) (Blu-ray)
- Walt Disney Studios Home Entertainment (2012) (USA) (DVD)
- Walt Disney Studios Home Entertainment (2012) (USA) (DVD) (Blu-ray)
- Zon Lusomundo Audiovisuais (2012) (Portugal) (all media)
The Hobbit Cover |
Budget - $180m
Gross (Worldwide) - $600m
Distributors
- Forum Hungary (2012) (Hungary) (theatrical)
- Warner Bros. Entertainment (2012) (Canada) (theatrical)
- Warner Bros. Pictures (2012) (USA) (theatrical)
- Warner Bros. (2012) (Argentina) (theatrical)
- Warner Bros. (2012) (Germany) (theatrical)
- Warner Bros. (2012) (Japan) (theatrical)
- Warner Bros. (2012) (Netherlands) (theatrical)
- Warner Bros. (2012) (Singapore) (theatrical)
All distributors use marketing tools which is what we may plan to do for our film. These techniques are used to promote a film. These can consist of posters, websites, social networking and trailers to name a few.
Examples:
Scream Cover |
Last House On The Left Facebook Group |
Skyfall Website |
Texas Chainsaw Massacre Cover |
There seems to be repetition with all of the slasher genre posters, they mainly consist of dark colours and titles using a san serif font, this provides an exposition to the audience that the film they are looking at is going to be a horror of some sort for example if you compared the Skyfall cover with the Scream cover, the exposition from both would provide the genre signifier.
The distributers above would not realistically distribute our film, therefore i am going to look at more low budget distributers.
Eden Lake (James Watkins, 2008)
Eden Lake Poster |
Gross:
$5,824 (USA) (2 November 2008)
Distributers:
- Atlantic Film (2009) (Sweden) (theatrical)
- Benelux Film Distributors (2009) (Netherlands) (theatrical)
- CDI Films (2009) (Argentina) (theatrical)
- Cathay-Keris Films (2009) (Singapore) (theatrical)
- Festive Films (2009) (Singapore) (theatrical)
- La Fabrique de Films (2008) (France) (theatrical)
- Optimum Releasing (2008) (UK) (theatrical)
- Weinstein Company, The (2008) (USA) (theatrical)
Donkey Punch (Oliver Blackburn, 2008)
Budget:
$700k (estimated)Production Co:
EM Media, Film4, Madman Entertainment
Distributers:
- Optimum Releasing (2008) (UK) (theatrical)
- NonStop Entertainment (2008) (Sweden) (theatrical)
- European Film Partners (EFP) (2009) (Netherlands) (theatrical)
- Kanibal Films Distribution (2010) (France) (theatrical)
- Madman Entertainment (2008) (Australia) (theatrical)
- Magnet Releasing (2009) (USA) (theatrical)
Realistically i feel that optimum releasing (Studio Canal) would be the right distributors for our film because our budget is very narrow and they have distributed relatively low budget films before.
The estimated budget for our film:
Our film is a low budget indie film so it is impossible to have a well known distributer to fund our project. However, our budget would be extremely low anyway. We have no such thing as providing an actors salary, funding large equipment ect.
The things we are planning to include that will need funding consist of:
- Laboratory Coat (1)
- Fake blood
- An ID
So in total our film will cost under £10 to be realistic therefore our film is a really low budget film
Marketing tools we could use:
Our film poster |
Almost every film has a film poster which is why we chose to create our own. We anchored the slasher genre through our colour scheme with the red, white and black we also used a san serif font which is specific to our slasher genre.
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