As well as proposing that narratives can be broken down into 31 basic functions Vladimir Propp argued that there are essentially just seven basic character types, or archetypes.
1. Villain - also known as the antagonist they are the 'bad guy' of the film and they never usually end up 'winning' or having the best outcome at the end of the film.
2.Donor - this person usually helps prepare the hero for for what they have to overcome or gives them something to help them.
3. (magical) Helper - helps the hero in their quest.
4. The princess or prize - the hero that deserves her/it throughout the story but is unable to marry her at he beginning of the story due to whatever villain is doing to stop them.
5. The princess and her father - gives the task to the hero, identifies the false hero, marries the hero, Propp noted that the father and the princess can be quite hard to distinguish between.
6. the Dipatcher - character who makes the lack known and sends the hero off.
7. Hero/Victim - reacts to the donor, weds the princess, also known as the protagonist.
8. False Hero/Anti Hero - takes credit for the hero's actions and tries to marry the princess.
These roles could sometimes be distributed among various characters, as the hero kills the villain dragon, and the dragons sister takes on the villainous role of chasing him. Conversely, one character could engage in acts as more than one role, as a father could send his son on the quest and give him a sword acting as both dispatcher and donor.
Todorov
Todorov is associated with the theory that every narrative can be broken down into 3 basic stages. Equilibrium, dis-equilibrium and new equilibrium. Crucially, the protagonist is not the same as at the outset but has been changed in some way from events. People generally refer to the easier 3 part model but in fact he proposed 5 stages.1. A state of equilibrium at the outset
2. A disruption of the equilibrium by some action
3. A recognition that there has been a disruption
4. An attempt to repair the disruption
5. A reinstatement of the equilibrium.
Levi Strauss
When we consider the use of stereotypes it is often evident how a binary opposition is at play. For example how we describe a stereotypical poor or working class person in broadly the opposite of how we would describe a middle class or upper class person. Scenes within dramas often reflect this idea with clashing pairs. These binary opposites are what often cause conflict or tension.
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